Browse Items (16 total)

The gruesome lynching of a mentally disabled man, Henry Smith in Paris, Texas, in February 1893, sparked renewed visual critique in the African American press regarding federal inaction on lynching. The mob’s torture of Henry Smith seemed to…

In its election-eve issue in 1892, perhaps to encourage the exodus that Ida B. Wells’s campaign had begun, the Indianapolis Freeman re-printed a drawing by the late political cartoonist, Henry J. Lewis. A series of frames reminded readers that…

In this image, widely reproduced in the African American press, popular white political cartoonist Thomas Nast captured the outrage that followed the lynching of three African American men in Memphis, Tennessee a few months earlier--the incident that…

During the winter of 1889–1890, the killing of prisoners by a white mob in Barnwell, South Carolina, and a “race war” in Georgia, prompted the Indianapolis Freeman to unleash a more pointed visual critique of so-called southern…

This drawing in the Indianapolis Freeman shows Uncle Sam standing impotently before a robed figure, Ethiopia, as she gestures toward the shooting of innocent African American men and women, and a burning church. “See how my people are murdered,…

In the late summer of 1889, the Indianapolis Freemanused the figure of Uncle Sam to protest a Gouldsboro, Louisiana, massacre of African American families on an excursion, and the burning of a church, as a symbol of federal protection. In this image,…