Browse Items (5 total)

In the late summer of 1889, the Indianapolis Freemanused the figure of Uncle Sam to protest a Gouldsboro, Louisiana, massacre of African American families on an excursion, and the burning of a church, as a symbol of federal protection. In this image,…

This drawing in the Indianapolis Freeman shows Uncle Sam standing impotently before a robed figure, Ethiopia, as she gestures toward the shooting of innocent African American men and women, and a burning church. “See how my people are murdered,…

During the winter of 1889–1890, the killing of prisoners by a white mob in Barnwell, South Carolina, and a “race war” in Georgia, prompted the Indianapolis Freeman to unleash a more pointed visual critique of so-called southern…

In its election-eve issue in 1892, perhaps to encourage the exodus that Ida B. Wells’s campaign had begun, the Indianapolis Freeman re-printed a drawing by the late political cartoonist, Henry J. Lewis. A series of frames reminded readers that…

Like journalists Jesse Duke and Ida B. Wells, Richmond Planet editor John Mitchell, Jr., had braved mob retaliation for defending an African American man from a rape charge, and challenged the increase in lynching actively. In 1894, for example,…