Songs Without Words

Browse Items (9 total)

  • Tags: civil rights

"Notice!"
As editor, George L. Knox re-printed a drawing by the late political cartoonist Henry J. Lewis in the formerly independent Indianapolis Freeman to chide the National Negro Democratic Convention meeting in that city in August 1894. "Gentlemen," reads…

"Thirty Years of Progress"
After the brutal lynching of a mentally disabled man, Henry Smith, this image in Detroit Plaindealer portrayed the failure of outgoing President Benjamin Harrison administration’s to condemn the lynching as a direct contrast to Abraham…

"The Great Southern Exodus"
In its election-eve issue in 1892, perhaps to encourage the exodus that Ida B. Wells’s campaign had begun, the Indianapolis Freeman re-printed a drawing by the late political cartoonist, Henry J. Lewis. A series of frames reminded readers that…

"Some Day"
In June 1892, the Indianapolis Freeman re-printed an earlier visual compilation of civil rights themes drawn by the late political cartoonist Henry J. Lewis. The small cartoon laments the need for combative imagery in the black press, but explains…

"Our Republic"
In this image, widely reproduced in the African American press, popular white political cartoonist Thomas Nast captured the outrage that followed the lynching of three African American men in Memphis, Tennessee a few months earlier--the incident that…

"Still Asleep"
When Frederick Douglass warned whites of the dangers of “reaping the whirlwind,” the Indianapolis Freeman recycled an oft-used drawing by the late political cartoonist, Henry J. Lewis, showing a sleeping African American Gulliver, a…

"Our National Cemetery"
In this image, the Indianapolis Freeman depicts Uncle Sam as a gravedigger, tending the failed legislation of generations. A headstone for the recently-defeated “Blair Education Bill,” which would have supplied federal funding for local…

"The Hercules of Today"
Indianapolis Freeman artists typically denounced racial discrimination and social inequality, and focused on presidential failures to stem racial violence. This frequently-repeated drawing, for example, showed an Atlas-like figure shouldering the…

"Some Daily or Rather Nightly Occurrences in the South"
In the late summer of 1889, the Indianapolis Freemanused the figure of Uncle Sam to protest a Gouldsboro, Louisiana, massacre of African American families on an excursion, and the burning of a church, as a symbol of federal protection. In this image,…
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